AIVAZOVSKY
When Aivazovsky depicts a maritime landscape theme, a
ferocious stormy ocean for instance, he always include a man or a group of
men to fight the elements of nature.
In addition to inviting humans to resist the hardship of nature and life,
the artist invites light to occupy a primordial place in his paintings, for
“light” represents and symbolizes the “Spirit of Armenia”. To all
Armenians, “LIGHT” means “PATRIOTISM”, “CHRISTIAN FAITH”, “THE CHURCH”,
“JESUS CHRIST”, “THE IMMORTAL LIFE THROUGH JESUS”. Thus, light plays a
paramount role in the selection of the theme, in the structure of the
painting, in the composition of forms and patterns, in the construction of
lines and curves, and above all, in the message the artist wishes to convey.
In that sense, Aivazovsky becomes a prophet, a messenger, a patriot, a
philosopher and an illuminated artistWhen Aivazovsky depicts a maritime
landscape theme, a ferocious stormy ocean for instance, he always include a
man or a group of men to fight the elements of nature.
Ivan Aivazovsky. The Battle of Chesme, 1848. Oil on canvas. The Aivazovsky
Art Gallery, Feodosia, Ukraine.
In addition to inviting humans to resist the hardship of nature and life, the artist invites light to occupy a primordial place in his paintings, for “light” represents and symbolizes the “Spirit of Armenia”. To all Armenians, “LIGHT” means “PATRIOTISM”, “CHRISTIAN FAITH”, “THE CHURCH”, “JESUS CHRIST”, “THE IMMORTAL LIFE THROUGH JESUS”. Thus, light plays a paramount role in the selection of the theme, in the structure of the painting, in the composition of forms and patterns, in the construction of lines and curves, and above all, in the message the artist wishes to convey. In that sense, Aivazovsky becomes a prophet, a messenger, a patriot, a philosopher and an illuminated artist.
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